Showing posts with label Portrait workshop. Show all posts
Showing posts with label Portrait workshop. Show all posts

Tuesday, 9 May 2023

Summer workshops 2023 with Julie Douglas

Lovely workshops with Julie Douglas Summer 2023
If you would like to immerse yourself in creative learning, there are a few workshops on offer this summer in the BARA studio. With sessions running from two  to five days, these courses allow you the time and space to learn intensively and push your skills to a new level. Workshops include 'drawing the portrait' (info at the following link, which takes you to a full description and dates) 

http://juliedouglasdrawingpaintinglearning.blogspot.com/2023/04/portrait-drawing-workshop-with-julie.html


and another workshop 'painting the portrait in oils' (info on the link below, which takes you to a full description and dates)

http://juliedouglasdrawingpaintinglearning.blogspot.com/2023/04/portrait-painting-oils-workshop-with.html


 Also on offer - pastel seascapes, kids class and a 'clinic for all your unfinished paintings!'

Dates are not set in stone so if you want to attend something and the dates don't suit, please do get in touch. 

Sat 15 July - kids drawing class £30

July 17 - 21st Portrait drawing £500

July 24th - 28th Portrait in oils £500

July 31 - Aug 1st - pen and watercolour botanicals £200

Aug 2nd - 3rd Pastel seascapes £200

Aug 17 - 18th ‘painting clinic for all your unfinished paintings’. £200

Aug 21 - 24 - Portrait drawing £400

For info please email julie@juliedouglas.co.uk 
Classes are in the studio in Comber. 

Tuesday, 27 October 2020

Portrait workshop 6 - 8th November 2020 with Julie Douglas

I am very pleased to be running this workshop again - it is a popular and very rewarding class. 


Over three intense sessions in one weekend,this workshop takes you through the steps you need to create convincing portraits, including how to measure, studying the features,  and how to get a likeness. All reference material is provided, and the workshop is both in-studio as well as on Zoom. If you wish you may use your own photo on the third day. We will use graphite, and if you wish, coloured pencils. 

This little video below outlines the content of my portrait workshop.



Friday 6th NOvember, 6 - 9.30pm, Saturday 7th 3 - 7pm, Sun 8th 3 - 8pm. 

If you'd like more info, or to book, please email julie@juliedouglas.co.uk

Tuesday, 16 July 2019

Portrait commission, graphite.

'Ben', size A3, graphite. 
I have just finished this portrait commission - the first of several commissions on my list. I have a portrait workshop coming up on 22 - 26th July. Please email for info julie@juliedouglas.co.uk

Friday, 1 April 2016

'Dapples at Scrabo', oil painting 11in x 14 inches on linen.

Some paintings are fast, while others take their time to brew. In this case, I started the painting a few months ago (and documented the drawing stage through to the first layer of colour here  http://juliedouglasdrawingpaintinglearning.blogspot.co.uk/2015/08/portrait-drawing-and-painting-in-oil-in.html ), and had many interruptions in its progress, with commissioned works, lots of teaching sessions and writing my book. However, I did finish it, I think (..but there's always the possiblity of having another visit at some point..), and here it is. It is part of a series of light dapples. I just love light.


sunlight on skin. 



The book is nearly all written - it's about what happens in my weekly workshops, and is full of illustrations of students artworks and demonstrations on how to approach drawing and painting. I can't wait to share it with you, and I"ll keep you posted! 

Upcoming workshop: oil painting 23 & 24 April, Belfast
For info email julie@juliedouglas.co.uk
www.juliedouglas.co.uk



Saturday, 20 February 2016

Watercolour Study: Black and white, as well as colour

This week it was watercolour in my studio, with students attempting to complete two small paintings of the same subject, in just a couple of hours. This is a tall order, but time limits are an excellent way to speed up our decision-making - often we will be much braver and just cut out the worry-time, and get on with the painting.



This is my demonstration painting - both artworks were side by side in an A4 sized Moleskine sketchbook. I did the drawing first, and then drew the 'frame' around it, and not the other way around.



I did the 'Black and White' using Payne's Gray only, diluting it with water to get the lightest tones, and never using white paint. It is possible to use white paint in water colour, but it gives all the colours  a horrible greyishness, and stops it beging transparent. The transparency is one of the most delightful features of watercolour painting, so I don't use white. I started at the aubergine stalk, in a pale tone. It is nearly imposssible to judge the first tones correctly as so much of the paper is still white - white is a loud and dominant tone, which fools our eye! So choose a tone to get going, and remember to keep going back to check the relative tones, all through the course of the painting and altering where necessary. 


The advantage of drawing the 'frame' is that it neatly encloses the image. This is a tonal study, rather than a finished artwork, and I prefer drawing a freehand line, no matter how wobbly, rather than using a ruler. The second painting, in colour, was much quicker, seeing as I'd done all the tonal working-out already!




The whole lot took a couple of hours. Below are some lovely student examples of their work in progress.

Susan C, student
Trevor, student
Carolyn, Student


Next up - Colour Pencil weekend workshop, Life Drawing workshop, OIls weekend and Watercolour Landscape workshop.
For information email julie@juliedouglas.co.uk

www.juliedouglas.co.uk




Friday, 23 October 2015

Portrait Drawing, graphite pencil

I have just finishsed work on the preparatory drawing for a portrait commission.

I don't always do such a finished 'rough' - it often depends who the client is, how well they know my work, and what their requirements are. I do enjoy this stage - it's a great way to get to know the pattern of the faces and sort out balance of tones etc, in order to create a good portrait (as opposed to a copy of a photograph, which is an entirely different thing altogether).


Finished rough with client-led alterations


Also, in this instance, the photographic reference was from a couple of years ago (as provided by the client) and this means the little girl's face has changed shape as she has grown. So it is necessary to use more recent photographs as further poeints of reference to ensure the portrait is a satisfactory mix of truth as it was when the photo was taken, combined with the truth of how the child is seen now. 


I like to start with the eyes, choosing one eye to be dominant over the other.

Once most of the first face was blocked in I moved to the second face. Children's faces are difficult as they are so much smoother with more subtle variations in tone across the flesh. 


At this stage, above, I showed the drawing to the client, as a sneek preview to ensure things were looking familiar to him. He was delighted and asked only that I take some of the fulness away from the jaw on the child - you will notice this if you look at the final drawing at the top of this page. I also softened the tones a lot on bothe faces and finished the background loosely. 
The size is 32cm x 35 cm. I will show you the colour version when it is done. 
Now I'm off to the post office to send the original for approval - fingers crossed! 


Next up: Two day landscape water colour workshop 
In November - Portrait Drawing workshop and Oils weekend. For info email julie@juliedouglas.co.uk 


The Big Draw - 
As part of the Big Draw 2015, I am holding a Children's Drawing session at The Harland and Wolff Drawing Offices in Belfast's Titanic Quarter on Saturday 30th October. The event is free. For bookings and info  Catherine.mccooey@titanic-foundation.org or call 028 9073 0490. 
More information here



Thursday, 24 January 2013

Drawing back from the edge.

Cloth in pencil, by Julie Douglas. Moleskine sketch book
Last term I started my Masters-Mistress at college
(see  http://juliedouglasdrawingpaintinglearning.blogspot.co.uk/2012/09/mistress-of-arts-college-and-portfolios.html).
Studying Multidisciplinary Design means that all students come from different disciplines, and we each carve our own individual path to our personal goals, although we attend workshops together. The advantages of this varied group of students is incredible - we have huge skills between us and are constantly helping each other with things, as it seems the easiest and most obvious way forward.
In fact, Collaboration seems to be the only way, both in the creative workplace and in any business setting where the business hopes to expand or even just to survive. Puts a whole new perspective on the phrase 'I know a man who Can'.

The work is stretching and rewarding but absorbs hours like a sponge. So to do the Masters I knew that something in my routine would have to 'give'. And that something was time at my drawing board.

Uh-Oh.

Now, to a certain degree this is FINE, particularly as I made that decision. Creativity has many forms. However, I have got so much college work done that I can now get back to the desk. Which is so much easier to say than to Do. The next discipline, then, is to actually get to the desk (and not because its covered in paper and files). The Habit has to be carefully reformed. Or perhaps less carefully and more CONSCIOUSLY.

My desk is in a sunroom at the back of the house, and at this time of year, its a fridge. So, any old table will do. The next mental hurdle (for it's all in the mind), is Time. My artworks are demanding of time and effort (What? Did you think it was easy?! There's a good reason for all those corny sayings like 'Suffer for your art'.. ) and so, like preparing for the marathon, small steps of preparation are needed. But they may not be what you expect them to be. Here's my list of kick-starter steps

1. A commitment to another person.

2. A commitment to yourself.

3. A determination to not give up (it takes a lot of self motivation to be self motivated...)

4. Forgiveness

5. Praise

6. Acknowledgement

7, 8, 9, 10. Humour.

11. A mantra to say in your head.. Mine is 'stay in your chair, stay in your chair..' - if I get up, the spell is broken.


So, here comes the sketch book, oh joy.

Mushroom on tinted card, colour pencil & pastel pencil, Julie Douglas
its also important NOT to be Tidy (if tidying is a way of avoiding sitting to work). Draw amidst the chaos and Order will appear.

The best way to stop myself knitting was to draw it.... 
Cable pattern, pen, by Julie Douglas
Pen is a good idea too, as rubbing out isn't an option - Draw on regardless.

Sometimes, a doodle turns into a drawing - usually, as in the case below, on the back of something else..
Although this is rough, each drawing is leading into the next, until the finger-tips drawing, which begins to look more confident. Tip - don't judge your work, just draw ON.

And soon, a new Habit emerges...

Monday, 15 October 2012

Portrait workshop and Afternoon Tea

Yesterday I had a lovely portrait drawing workshop, with Mama Kaz modeling. Students started working using a mirror (we all get used to it after the initial horror!) and drawing themselves, which gets some of the initial hard-peering dealt with before moving on to observe the model.

Kaz was a little animated, but at least managed not to get the guitar out to serenade everyone while they were actually drawing!

Student drawing, by S. Foster - wonderful first portrait studies. 

I usually provide lunch when I hold a workshop at home, but seeing Kaz was singing on stage the night before, I started a bit later. So instead of lunch, I made Afternoon Tea!


Sandra, bless her, said it was... 'better than The Merchant'. Well, how delightful!! But I made so much food, that I ended up taking a cake round to the neighbours, and delivering a box of chocolate tiffin to Auntie Edith down the road! Apparently this week is Chocolate Week, and she's a bit partial.

Next up - intensive portfolio course
Water Colour workshop Belfast - Skies, trees and landscape.
For info email julie@juliedouglas.co.uk

Sunday, 23 September 2012

Portrait Drawing ( - suffering for our Art and Home!)


Photo by Trish Semple www.takephotography.co.uk

Friday night was Culture Night in many cities across Europe and it was lovely to invited to take part. Emma from Art and Home, the most wonderful Art suppliers and framers, asked me if I would do 'something' and in a moment of weakness I agreed to sit in the window doing some drawing. What was I thinking...?? Luckily I had a moment of inspiration, and suggested that Mama Kaz might  model for me (safety in numbers..). (I mentioned her in a recent post, and though it would be good to get some practice in before the workshop.. Er, in public. Sheesh... )



Mama Kaz has a great face, and we started off nicely, calm and poised, even. But of course, it takes a long time to do a drawing (mine took an hour and a half) and all sitters get a little restless at some point, but as she was due to sing on stage, we decided to soldier on without a break. But, uh-oh, she spots a camera... 


.... and the messing Begins.. (oh joy!)

I haven't laughed so much for ages. But, we managed to regain composure for a while.. 

Photo by Mary Lappin
....but before long, the guitar comes out. I mean, please... how's a girl to draw when the model is rocking in her seat...?!

Photo by Emma Bond, Art and Home, Holywood Co Down

A really enjoyable experience, and I look forward to painting Mama Kaz soon. She is modeling for two portrait workshops, and they will be fantastic.



Art and Home, http://www.artandhomeweb.com/

Tuesday, 11 September 2012

Mama KAZ! Up coming Portrait workshops, Belfast

Last weekend was the first East Belfast Arts Festival and I went along to the most splendid marquee I've ever seen (it was like a cathedral on the inside, honest) and the music was amazing. Not only was Van Morrison on his very best-behaviour-fantastic, all the bands were fabulous. My favourite was the first on stage, the amazingly wonderful Mama Kaz Band. I took one look at Kaz and said to my friend, wow, SHE'D be fanTASTIC to draw wouldn't she...?? So, imagine how good it felt when I asked her later if she'd consider sitting for a class and she said YES, and that she'd bring her guitar and PLAY for us if I liked...? Well, I nearly fainted... I like!

Here she was on stage... Presence, Passionate and Powerful - and totally drawable.

Photo by Gerry McNally

...and here's a link to her blog  http://mamakaz.wordpress.com/

Many students have been asking for another portrait session and in this, I'll include the figure as well (wearing stage gear) (that's Kaz...not me). It's fully tutored and numbers are small, so this is perfect for all levels of ability, and A level students too, and those at college who are feeling drawing-starved. I have two dates, October 14th and November 25th, both Sunday afternoons.
Wouldn't this be a fantastic addition to your Portfolio for college..?

If you'd like to come along to the fully tutored workshop, with live music!, email julie@juliedouglas.co.uk

Wednesday, 20 July 2011

Portrait, Oil on board 8in x 10in

This is a painting of Christopher Bell, who until May was the Chorus Master for Belfast Philharmonic Choir. He is a very vital and important figure in music making and, more to the point, has a GREAT HEAD!



It was a delight to paint him. Those of you who follow this blog may notice that the only other Oils portrait I've posted was another man, Rodney, with glasses and er, not a lot of hair. Though he has a splendid moustache.. I did wonder myself if I had a thing going on, but no - I've painted folks with hair too, and I will post those at some point!

                                       Next up, 3-day portrait workshop, Belfast.
                                    Up coming - Water Colour workshop, Dublin.
                                               Intensive Portfolio Course
                                       For info email julie@juliedouglas.co.uk
                         Phone - from UK 07730 560 517 from Ireland 087 1330040
Please remember - copyright on portraits belongs to the sitter. Do not copy this in any way, thanks.