I am an artist who loves teaching. I believe that drawing what you See is the secret to great painting. Here I share some of my paintings and lots of my students artworks - straight from my studio to yours. More info on courses & my instruction book ‘Notes from The Atelier’ on my website www.juliedouglas.co.uk
Contact me on email@example.com
Sunday, 2 October 2011
Tonal value studies, charcoal and pastel
Charcoal study, H.J, Student
Grey Chalk study, H.J, Student
Whether you are an artist or a student (and show me the true artist who doesn't regard themselves as student) there is so much to learn form working in black and white (though I really mean drawing in a multitude of greys, with White as a special treat and Black only to be used if you've brought a letter from your great great Grandmother). In fact, it is very difficult, and while many students begin working in black and white with wistful mutterings on how much they love Colour, it doesn't take long for the problems and challenges of tonal balance to crop up. Using charcoal on its own first restricts you to black only, and moving on to a second study using grey and white chalks then gives you the luxury of Applying highlights and allows a fuller range of tone.
Grey Chalk study, J.McC, Student
These student drawings are lovely and have a very painterly feel about them. There is no black at all in the middle drawing (only dark greys instead of actual black) and in the third drawing, the only black is just behind the area where the onions meet. ALL the infomation and tonal variation required in a black and white study is equal to the tonal range needed in a successful colour piece. But if you go straight to colour every time, you are open to being intoxicated with the notion of COLOUR and colourS, instead of the tonality of the subject. A colour study is everything that a tonal study is, but with colour as WELL.
Next up - Oil painting workshop, Belfast, Portfolio Course for college entry, Killaloe.
email firstname.lastname@example.org for info.