Showing posts with label Figure Drawing workshop. Show all posts
Showing posts with label Figure Drawing workshop. Show all posts

Friday, 14 November 2014

Figure Drawing Workshop with Colleen Barry in Belfast 2014

Figure drawing is one of my favourite things. To have a whole week of it is wonderful.
I was deligheted to welcome Colleen  Barry to teach in Belfast, fresh from a two week course at the Angel Academy in Florence.


Students were from a mixture of past exprience and from many backgrounds - Fine Art, Animation and Beginners. To accomodate this variety, Colleen started each day with 20 minute poses, allowing plenty of practice in the all-important starting point of figure drawing. Robert was our model and he had an impressive (or depressing, depending on how you're feeling at the time!) portfolio of outrageously difficult-to-draw poses for the short drawings, and how we all scurried around the room trying to find the least-horrendous views. (Discovering of course that all views are equally difficult, but just in different ways!) 


But the main focus of the week was one pose, studying form and learning about anatomy. Robert was a fantastic model - I can't begin to imagine how painful it is to stand in one position for several days and I am very grateful for his professionalism.

Colleen doing a demo on form shadow verses cast shadow

We enjoyed watching Colleen demonstrating, not only about the figure but explaining about light, shadow, tone and form in general. Colleen is a gentle teacher, an incredibly knowledgable artist who is willing and able to spend time explaining so that everyone understands. She is a lovely combination of inspiring, and modest.  

One of the daily anatmony talks. 

Alice, Jeremy (aka Leonardo), Caroline (showing Peter how to sharpen his pencils), Peter, Sarah, Pat, Colleen Barry and jacinta) 

Julie, Jacinta and Alice, suffering on the wooden horses.

To make it even more perfect I'd have to suggest a shoulder and back massage at the end of each day - sitting on a hard wooden 'horse' for a week is not comfy.. ! I had a great tip froma  student I worked with in GCA, who recommended support socks for days when standing to draw. 
Colleen was joined in Belfast by her husband Will St John, who is a wonderful painter and sculptor - he spent time seeking out his family roots, in Comber, County Down! 

Ciara, who was kindly practicing the pose just in case Robert needed a break..!

The whole group, skeleton and all (giving Robert an affectionate hug). 
A fantastic week - I hope to display some of the drawings during the Belfast Festival of Art and Design in March. 


Upcoming courses - Oil workshop, Colour Pencil workshop, Belfast. For info email julie@juliedouglas.co.uk


Friday, 25 July 2014

Figure Drawing with Colleen Barry at the Grand Central Academy, NY

Well, I surprised myself by booking a trip to New York to attend a course with Colleen Barry, and had a wonderful time.

Manhattan, from the Top o' The Rockefeller Center  


Such a contrast between outside (fast, humid-hot, bright, busy and colourful) and inside the studio (dark, still, quiet, focused and concentrated) - but the balance of those things meant that neither became overwhelming.


The studio is without windows and the walls are painted black, so all light is controlled, and constant.  the model was San Diego, and he was fantastic - incredibly stationary, without being lifeless (because if we want to draw a statue, then we ought to.. well, draw a statue), and eminated a professional and elegant presence at all times. 

end of day one - figure fully blocked in. 
The workshop only ran for five days, so we were spared the strict regime followed by the full time students of Classical Drawing. Having said that, it was a race against the clock to get everything completed in the time. Fortunately, Colleen gave us a list of what to address each day, which helped keep on top of it.  Day one was blocking in the whole figure, in a much freer way than seems apparent from the drawing, to find the gesture of the pose. Having the full day for this allowed time to get it right. 
end of day two - torso
The hardest day for me, was day three, when we had to do the legs - from this angle, the legs covered a very large area for toning. 
Colleen Barry (centre) with Liz Beard. 
Colleen Barry is a gentle and knowledgeable teacher. At some point every day we had instruction on anatomy, which is a huge and interesting subject.

Daily instruction on anatomy for artists was invaluable
End of day 5, fully complete, as much as I could in the time!
Colleen Barry is coming to Belfast to teach Figure Drawing, and attending her course in NY has filled me with confidence that all particpants will have a fully rounded, enjoyable learning experience with her.

Upcoming workshops - intensive portfolio course
Big Drawing Workshop at the Drawing Office, in Belfast's Titanic Quarter

Oil Painting workshop with Matt Weigle,
Figure Drawing Workshop with Colleen Barry

Draw In - a drawing symposium on 30th & 31st August with invited artists including PJ Lynch, Peter Cooper, Paul Foxtona dn Coleen Barry.

For information on all courses email julie@juliedouglas.co.uk