I am an artist who loves teaching. I believe that drawing what you See is the secret to great painting. Here I share some of my paintings and lots of my students artworks - straight from my studio to yours. More info on courses & my instruction book ‘Notes from The Atelier’ on my website www.juliedouglas.co.uk Contact me on julie@juliedouglas.co.uk
Wednesday, 30 August 2017
Trees, three oil paintings on canvas and board
I only ever used to work on one painting at a time. But some of my 'treescapes' of dappled light in the woods have become even more complex and a bit...sore. Or perhaps less sore and more akin to working out a complicated puzzle which frazzles my brain even more than usual. Not in a bad way, but intense all the same.
So I decided to try working on more than one at a time, and on different scales (from 'small' to 'less small'!). Well, 'decided' is perhaps over glorifying it. Of the paintings above, I started the top one a couple of years ago, painting a thin underpainting on canvas at the same time as an underpainting on the painting on the left. The left one is on board and has had three layers applied now, with gaps of many months while I worked on other things (including writing my book!). Of the three paintings, it is nearest completion - it is coming along but needs a few more days. I started the one on the right a month ago, and have spent a few days on it and igonored the other two. It is on canvas and is about a third of the way through. The one at the back received the darker layer on Monday - it had been consciously ignored because I didn't 'like' it. Now that I've given it another bit of colour I like it better than previously, but I'm still not sure about it... It's early days and I won't quit.
Of all the subject matter that I paint, there is something about greens, trees and sparkles of light that really attracts me. I love painting people and skin, but the woods haunts me. It is much more challenging than painting people. I guess we all love a challenge.
Has working on several at once been an improvement? I'm not sure. Is it better to be undecided and unsatisfied with three at once? It does take the pressure off each one individually, and perhaps gives a feeling of a more rounded approach from my side of the palette. It perhaps also encourages more freedom and variety in the working process itself.
In other words, I think that the outcomes will be different and more developed than if I had completed one at a time. So I think that must be a good thing...
Can you tell that I'm slightly procrastinating? I think it's time I went back to my easel...
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